◎译　　名　辅导员/Counselor at Crime/The Counsellor
◎片　　名　Il consigliori
◎年　　代　1973
◎产　　地　意大利,西班牙
◎类　　别　剧情 / 犯罪
◎语　　言　意大利语
◎上映日期　1973
◎豆瓣评分　/10 from 0 users
◎豆瓣链接　https://movie.douban.com/subject/3863064/
◎片　　长　USA: 99 分钟
◎导　　演　阿尔伯托·德·马蒂诺 Alberto De Martino
◎编　　剧　阿尔伯托·德·马蒂诺 Alberto De Martino / 莱昂纳多·马丁 Leonardo Martín
◎主　　演　马丁·鲍尔萨姆 Martin Balsam
　　　　 　托马斯·米连 Tomas Milian
　　　　 　弗朗西斯科·拉瓦尔 Francisco Rabal
　　　　 　卡洛·坦贝拉尼 Carlo Tamberlani
　　　　 　妲歌玛·拉桑德 Dagmar Lassander
　　　　 　Sacheen Littlefeather Sacheen Littlefeather
　　　　 　Sergio Mioni Sergio Mioni
　　　　 　乔治·里戈 George Rigaud
　　　　 　Debbie Letteau Debbie Letteau
　　　　 　曼努埃尔·萨尔索 Manuel Zarzo
　　　　 　芭芭拉·雷伊 Bárbara Rey
　　　　 　爱德华多·法哈多 Eduardo Fajardo
　　　　 　卡罗·加第 Carlo Gaddi
　　　　 　约翰·安德森 John Anderson
　　　　 　Franco Angrisano Franco Angrisano
　　　　 　佩拉·克里斯塔尔 Perla Cristal
　　　　 　内洛·帕扎菲尼 Nello Pazzafini
　　　　 　欧米洛·康帕纳 Omero Capanna
　　　　 　卡拉·曼奇尼 Carla Mancini
◎标　　签　犯罪 | 意大利电影 | 意大利 | 妲歌玛·拉丝珊德 | 1970s | 西班牙 | 被忽视的片子 | 欧洲
◎简　　介


　　Third-rate GODFATHER clone is so clearly patterned after the Francis Coppola blockbuster that the end result, despite the occasional felicities, is doubly disappointing: Tomas Milian, the consigliori of the title, naturally has the Robert Duvall role; Martin Balsam steps in for Brando as the Don and also suffers an attempt on his life (while visiting his wife's grave); there is also a death scene featuring a bullet-ridden car a' la James Caan's demise in GODFATHER and another one in a restaurant (with the owner unceremoniously dumped into the furnace while still alive); a violent retribution (this time against rebellious mafioso Francisco Rabal and his renegade gang) juxtaposed with a religious ceremony (here a village procession); Balsam and Milian fleeing to their Sicilian homeland with Rabal in pursuit, etc.
　　
　　The film also features Euro-Cult favorites Dagmar Lassander (wasted as Milian's girl) and Edoardo Fajardo (in a ㊟㊟all role towards the end, as a Sicilian Mafioso whose "godfather" had been Milian's father!) but, unfortunately, they contribute next to nothing to the mix. Although the version of the film I watched was in Italian, the gangsters (particularly Balsam) have a habit of slipping into English ("Yu-unna-stan", "Well", "Busy-ness", etc.) perhaps to show that they've been living for far too long in America but, frankly, I couldn't help laughing when at the end the mortally-wounded Milian (riding away in a car after the final showdown with Rabal) has to listen to Balsam rattling away one "Damn Bastard" after another without letting the old man know that he was done for; it practically reminded me of those scenes in AIRPLANE! (1980) showing the various passengers sitting next to Robert Hays who end up doing the craziest things to themselves so long as they're spared from listening to his life story! As usual with this kind of film, the music is an asset and Riz Ortolani's lush score here is no exception.